The girl on the right looks eerily like someone I almost married a long, long time ago. She was kinda blurry back then, too.
Update:
Ah the memories. Sometimes they're even accurate.
President-elect Barack Obama has yet to even assume power, but he suddenly lost it Friday night.Ugh.
"To hear you Lord is to Obey, but I have one more question. Stop asking Me questions. Please, Lord, I must. Very well then, speak. Can I save my sheep. So that's what's bothering you. Yes, that's all, may I. No. Why not. Because you must offer it in sacrifice to Me to seal our covenant. You mean this sheep. Yes. Let me choose another from the flock, I'll be right back. You heard Me, I want this one. But Lord, can't you see, its ear has been clipped. You are mistaken, take a good look, the ear is perfect. It isn't possible. I am the Lord, and with the Lord all things are possible. But this is my sheep. Again you are mistaken, the lamb was Mine and you took it from Me, now you will recompense Me with the sheep. Your will be done, for You rule the universe, and I am Your servant. Then offer this sheep in sacrifice, or there will be no covenant. Take pity on me, Lord, I stand here naked and have neither cleaver nor knife, said Jesus, hoping he might still be able to save the sheep's life, but God said, I would not be God if I were unable to solve this problem, here. No sooner had he finished speaking than a brand-new cleaver lay at Jesus' feet. Now quickly, said God, for I have work to do and cannot stay here chatting all day long. Grasping the cleaver by the handle, Jesus went to the sheep. It raised its head and hardly recognized him, never having seen him naked before, and as everyone knows, these animals do not have a strong sense of smell. Do you weep, God asked. The cleaver went up, took aim, and came down as swiftly as an executioner's ax or the guillotine, which has not yet been invented. The sheep did not even whimper. All one could hear was, Ah, as God gave a deep sigh of satisfaction. Jesus asked Him, May I go now. You may, and don't forget, from now on you are tied to Me in flesh and blood. How should I take my leave of You. It doesn't matter, for Me there is no front or back, but it's customary to back away from me, bowing as you go. Tell me, Lord. What a tiresome fellow you are, what's bothering you now. The shepherd who owns the flock, What shepherd, My master, What about him, Is he an angel or a demon, He's someone I know. But tell me, is he an angel or a demon. I've already told you, for God there is no front or back, good-bye for now. The column of smoke was gone, and the sheep too, all that remained were drops of blood, and they were trying to hide in the soil.
When Jesus returned, Pastor stared at him and asked, Where's the sheep, and he explained, I met God. I didn't ask you if you met God, I asked you if you found the sheep. I offered it in sacrifice. Whatever for. Because God was there and I had no choice. With the tip of his crook, Pastor drew a line on the ground, a furrow deep as a pit, insurmountable as a wall of fire, then told him, You've learned nothing, begone with you."
“The orchestra has fallen silent. The cellist starts to play his solo as if he had been born for that alone. He doesn’t know the woman in the box has in her brand-new handbag a violet-colored letter addressed to him, he doesn’t know, how could he, and yet he plays as if he were bidding farewell to the world, as if he were at last saying everything that he had always kept unsaid, the truncated dreams, the frustrated yearnings, in short, life. The other musicians stare at him in amazement, the conductor with surprise and respect, the audience sighs, a shudder runs through them, and the veil of pity that clouded the sharp gaze of the eagle is now a veil of tears. The solo is over, the orchestra washed over the cello’s song like a great slow sea, gently submerging it, absorbing and amplifying that song as if to lead it into a place where music was transmuted into silence, into the merest shadow of a vibration that touched the skin like the final, inaudible murmur of a kettle drum on which a passing butterfly had momentarily alighted. the silken, malevolent flight of acherontia atropos fluttered quickly through death’s memory, but she brushed it away with a wave of her hand...”
Lori Harris, 47, waited for the job fair to open... She is paying $95 a month toward $23,000 in student loan debt. She is living with her boyfriend, who is supporting her, not always cheerfully. She has no health insurance and cannot see a specialist for a torn rotator cuff and recently applied for food stamps.
“I tried to better myself,” she said, “and I’m getting nowhere.”
She was offered one job, as a medical technician dispensing pills to patients. The pay was $7.50 an hour.
“Forget it,” she said. “I was like, ‘Is it worth going to college? Did I waste my time?’”
She wondered if her age explains the rejections. Or her Boston accent. Or the smell of her cigarette smoking.
“It’s getting really discouraging,” she said.
On average, chief executives at Japanese companies with more than $10 billion in annual revenues are paid about $1.3 million a year, including bonuses and stock-option grants, according to Towers Perrin, a consulting firm, based on data gathered between 2004 and 2006. But chiefs in the U.S. are paid about $12 million, and chiefs in Europe are paid $6 million.
“It’s a Wonderful Life” is a terrifying, asphyxiating story about growing up and relinquishing your dreams, of seeing your father driven to the grave before his time, of living among bitter, small-minded people. It is a story of being trapped, of compromising, of watching others move ahead and away, of becoming so filled with rage that you verbally abuse your children, their teacher and your oppressively perfect wife. It is also a nightmare account of an endless home renovation.
The movie starts sappily enough... Soon enough, though, the darkness sets in. George’s brother, Harry (Todd Karns), almost drowns in a childhood accident; Mr. Gower, a pharmacist, nearly poisons a sick child; and then George, a head taller than everyone else, becomes the pathetic older sibling creepily hanging around Harry’s high school graduation party. That night George humiliates his future wife, Mary (Donna Reed), by forcing her to hide behind a bush naked, and the evening ends with his father’s sudden death.
Disappointments pile up. George can’t go to college because of his obligation to run the Bailey Building and Loan, and instead sends Harry. But Harry returns a slick, self-obsessed jerk, cannily getting out of his responsibility to help with the family business, by marrying a woman whose dad gives him a job. George again treats Mary cruelly, this time by chewing her out and bringing her to tears before kissing her. It is hard to understand precisely what she sees in him.
Here’s the thing about Pottersville that struck me when I was 15: It looks like much more fun than stultifying Bedford Falls — the women are hot, the music swings, and the fun times go on all night. If anything, Pottersville captures just the type of excitement George had long been seeking.
I interpret it instead as showing the true characters of these individuals, their venal internal selves stripped bare. The flirty Violet (played by a supersexy Gloria Grahame, who would soon become a timeless film noir femme fatale) is a dime dancer and maybe a prostitute; Ernie the cabbie’s blank face speaks true misery as George enters his taxi; Bert the cop is a trigger-happy madman, violating every rule in the patrol guide when he opens fire on the fleeing, yet unarmed, George, forcing revelers to cower on the pavement...
Not only is Pottersville cooler and more fun than Bedford Falls, it also would have had a much, much stronger future. Think about it: In one scene George helps bring manufacturing to Bedford Falls. But since the era of “It’s a Wonderful Life” manufacturing in upstate New York has suffered terribly.
On the other hand, Pottersville, with its nightclubs and gambling halls, would almost certainly be in much better financial shape today. It might well be thriving.
-- Adam Smith, famous Free Market Philosopher
-- Clarence, 2nd Class Angel in "It’ a Wonderful Life."
For me, the goal has never been negating race through colorblindness -- to do so would take a healthy discussion of existing racial disparities off the table. My aim is not for us to be post-racial but to embrace our cultural heritages while refusing to be confined by them.
I've barely recovered from the epic campaign that led to President-elect Obama, so it's a bit early to be thinking about how cold it will be in Iowa come December 2011 or what the crowds might look like. It's safe to assume that Obama's coalition will somehow be altered by the power of the presidency. Perhaps by the time 2011 arrives, the country will have become less racially stratified.
I hope that by then, we will find that an auditorium of white Iowans cheering on a black, Asian or Latino presidential candidate is commonplace. I also hope that in that auditorium, race and ethnicity will remain valued aspects of our identities, not forgotten or homogenized for the sake of some vague notion of post-racialism.
Times have been tough here for some time, and seem only to be getting worse. "The valley is already hurting," Colleen tells us. "It's really scary for the kids that are making minimum wage and driving 25 or 30 miles a day to work — paying for gas, for babysitters, housing. Hard to watch these kids. It's a struggle. It takes all they've got. They don't have luxuries. They live on $1500 a month - $500 for rent. How can you live on that? They have no health insurance. They can't afford it."
She says most of the people in Hasty are for McCain, and she herself will vote for him. "I think they're scared of Obama," she says. Sarah Palin is the one Colleen really likes. "I think Sarah is the closest thing [to us] that's ever arrived in politics. She knows what it's like. She's got family. They [the politicians in Washington] don't know what it's like to live. They don't have a clue. I'd really like to sit down and talk to that woman."
"It's scary owning a store. People going hungry." She pauses. "I would never let that happen." She wants to make sure we understand that the locals here take care of one another, are made of strong stuff. We're survivors here. We'll survive anything. Beans and rice," she laughs, "and on Sunday put bacon pieces in it."
“Taking care of other people?” That’s socialism. Why your (sic) just a gosh darned loser, Colleen. No wonder you gotcha some of them Socialist notions. Hard work is what you need.